This week’s episode of Lord of the Rings: Rings of Power introduces Elendil, one of the very few characters in the series who also appears in Peter Jackson’s film trilogy. But if you blink you will miss him. In the battle sequence of The Fellowship of the Rings‘ prologue, the character is played by Peter McKenzie. He has a go at fighting Sauron, dies immediately, and his sword is smashed into bits and remains that way until Aragorn puts them all back together again in Return of the King. Yes, Elendil’s appearance is brief, but one that casts a shadow over the entire Lord of the Rings saga, and his presence is felt even more keenly in the books. “From when I read the books and how often he’s referenced it’s clear how important he is to everyone in the Third Age, to all of the men at least, down to Aragorn who’s his 38th great grandson. He’s a sort of hero archetype,” Lloyd Owen, who plays Elendil in the series, tells Den of Geek. “What one discovers particularly since doing this job and being around fans who know much more than me is how dear Elendil is to everyone’s hearts, and it’s surprising because there’s very little written about him.” And yet, despite a critical role in the defeat of Sauron, and his status as Aragorn’s ancestor, most of what we know of his drawn from The Lord of the Rings‘ appendices, Tolkien’s collection of stories and essays called Unfinished Tales, and the author’s own letters. That Elendil is basically a mythical figure inside a story inspired by mythology means that the makers of The Rings of Power have had a lot of room to interpret and fill out the character. “What’s been fascinating is how precious he is to folk without knowing him,” Owen says. “The privilege and real joy is to open him up in three dimensions. Obviously I’ve had plenty of discussions with J.D. [Payne] and Patrick [McKay], our showrunners, and there’s plenty in their imagination to fully round him out. I think much of their thinking will be that a hero isn’t born, they’re made, and how does Elendil get shaped so that he does make that sacrifice at the end of his life.” The other major character in the opening scene of Jackson’s movie is Elendil’s son, Isildur, and his choices have far reaching consequences that, in many ways, are responsible for the entire Lord of the Rings saga.
Isildur’s Choice
That is of course a hypothetical, but Owen enjoys thinking about the “What ifs?” of Middle-earth. “I’ve also posited the question that if Tolkien did write him, if [Elendil] had the ring, would he throw the ring into the fire?” Owen says. “I talked to Corey Olsen, a Tolkien professor and he immediately said ‘Yes! He would throw it into the fire!’ and that just revealed how close he is to people’s hearts.” Owen, however, remains to be convinced. “If Tolkien wrote it, I don’t know, would he not say that we don’t know what will happen if anyone holds that ring? We don’t know. And that’s really fascinating to me,” he says. “To that extent I started thinking about that question, just what informed how he would be if that had been the scenario? What in his life would make him throw the ring in or not throw it in?”
Elendil and Earien
When we meet Elendil in The Rings of Power, there is one other relationship that will prove crucial to his story, and this character is even harder to find in the books than Elendil himself, as the showrunners invented her. However, even in introducing new characters, the writers have been careful to stay close to the spirit of Tolkien’s writing. This new character is Elendil’s daughter, Earien (Ema Horvath). A lot like the hobbits in Lord of the Rings, this family will serve as a window to view the epic events of the Second Age from a very human perspective. “The way they’ve set this sparsely written character of Elendil is they’ve set him up as a widower, so there are the repercussions of the death of his children’s mother, the death of his wife, and how that turbulence is reflected in the family alongside the current schism in Númenor that’s coming,” Owen says. “There is the personal, the effect of grief on a family, and the political and the way those two worlds collide. I think they’ve set up that family very well to reflect what’s happening in the wider world. Because every character in Tolkien is hugely affected by those events that are enormous and epic and beyond their control, so hopefully the audience will find a way in in a personal sense through this family.”
