Originality in fiction is often over-rated – Shakespeare didn’t make up his own plots, and simply noting the use of an existing plot or theme is not, in itself, a criticism. However, it is important for a new version of an old story to put its own stamp on that story. Each new version should bring something slightly different to the table and put its own twist on the material. Here, then, we’re looking at ten episodes of Enterprise that were “recycled” from earlier Star Trek series and asking whether Enterprise improved on the old formula, or whether the earlier episode was the better outing. We’re focusing on episodes recycled from other branches of the Star Trek franchise for this list, so we won’t mention other examples, like “Shuttlepod One”’s strong resemblance to Red Dwarf’s “Marooned.” Though that one is worth a mention. They’re both really good.
“Terra Nova” (Season 1, Episode 6)
Recycled from: “Friendship One,” Season 7, Episode 21 of Voyager Who did it better? The Voyager episode has the more philosophically interesting set-up and is notable for bringing back Lt Carey after five years only to kill him off, but “Terra Nova” fits in much better with the “scary space dangers” themes of Enterprise’s first season than Voyager’s random guilt trip thrown in right at the end of the show’s run. “Friendship One” is also, let’s face it, really rather dull. “Terra Nova” isn’t the best Enterprise has to offer, but it just about has the edge here.
“Oasis” (Season 1, Episode 20)
Recycled from: “Shadowplay,” Season 2 Episode 16 of Deep Space Nine This one is probably the most egregious example on this list, because both episodes star René Auberjonois. Auberjonois guest stars as the chief engineer of a “haunted” ship in the Enterprise episode, but the story repeats elements, including the final twist, of a Deep Space Nine episode that heavily featured his own character, Odo. In both cases, an entire group of people turn out to be holograms of the dead, created by a middle aged white man wanting to recreate his lost loved ones. We love to see the late and much-missed Auberjonois in anything, but this was a strange episode to have him guest star in. Who did it better? Although it’s tempting to complain about the Enterprise episode, given that it’s the second of the two and the stories are so close as to be almost identical, we’re actually going to give Enterprise the preference here. The “haunted ship” idea is cool, and the relationship between Auberjonois’ Ezral and his daughter, for whom he has re-created the crew including her dead mother, not only brings extra depth to the story, it also recalls Shakespeare’s The Tempest and the classic 1950s film “Forbidden Planet,” which partly inspired Star Trek in the first place. So we’ll say Enterprise actually improved on this story and it was worth recycling – though a different guest star might have been a good idea.
“Vanishing Point” (Season 2, Episode 10)
Recycled from: “The Next Phase,” Season 5 Episode 24 of The Next Generation Who did it better? It almost could have gone to Enterprise, as “Vanishing Point” is genuinely creepy, not to mention being a rare opportunity to explore Hoshi’s character. But that final “it was all a dream” twist, the one that every writing teacher tells you never to use in your first writing class, lets it down, so we’ll give the win to The Next Generation for a more thoughtful reflection on life and death.
“Precious Cargo” (Season 2, Episode 11)
Recycled from: “Elaan of Troyius,” Season 3 Episode 13 of the Original Series, and “The Perfect Mate,” Season 5 Episode 21 of The Next Generation Oh dear. Oh dear, oh dear, oh dear. How is it possible that a franchise as forward-looking as Star Trek has made this episode not once, but three times?! Basically, the story is that there is alien princess (or upper class woman) who is on her way to a political arranged marriage that borders on forced, or in Enterprise’s case, who has been kidnapped. She ends up falling for Kirk/Picard/Trip, but in the end goes back to her duty – marriage in the first two cases, ruling as First Monarch in the third. All three are epically sexist in various different ways, depending on whether they were produced in the 1960s, 1990s, or 2000s. Who did it better? Here’s the thing – all of these episodes are bad. There are those who give “The Perfect Mate” a bit of a pass because it’s always fun to watch Patrick Stewart and Famke Janssen together, but if you want to do that, just go watch the X-Men movies. “Precious Cargo” is not a good episode of Enterprise, but it is actually not quite as bad as the other two – the “stranded on a deserted island” aspect is kind of fun, and of the three horribly sexist episodes, it may be the least sexist – at least Kaitaama is able to suggest Trip comes to visit her at the end, instead of leaving forever pretending to be bonded to someone else (Kamala) or leaving in tears while her paramour cheerfully goes back to his ship (Elaan). So, perhaps surprisingly, we’re going to give this one to Enterprise.
“Dawn” (Season 2, Episode 13)
Recycled from: “Darmok,” Season 5 Episode 2 of The Next Generation Who did it better? “Dawn” is seriously under-rated, but “Darmok” is a classic, so this one is going to have to go to The Next Generation. Shaka, when the walls fell.
“Judgment” (Season 2, Episode 19)
Recycled from: Star Trek VI: The Undiscovered Country and “Tribunal,” Season 2 Episode 25 of Deep Space Nine This episode isn’t so much recycling one of the best Star Trek movies as deliberately paying homage to it, building sets that recreate the Klingon court and the prison of Rura Penthe from the film as closely as possible on a TV budget and telling a similar story. Archer’s experience of an alien trial where the outcome has been decided before it begins also echoes Chief O’Brien’s experience with the Cardassians in Deep Space Nine. “Judgement” is a very good episode that calls back to the movie very effectively while also expanding the franchise’s mythology around the Klingons and Klingon culture – while it may not be entirely original, this is a good example of a creative re-use of old tropes. Who did it better? The Undiscovered Country has a completely unfair advantage here, as it has a feature film’s budget and a runtime of nearly two hours. But life isn’t fair, and while all three are pretty good, it’s the best of the bunch.
“Similitude” (Season 3, Episode 10)
Recycled from: “Tuvix,” Season 2 Episode 24 and “Drone,” Season 5 Episode 2 of Voyager Who did it better? “Similtude” blends two rather good episodes of Voyager and the ethics of it are dodgy in the extreme. Voyager gets the win here, though whether the ultimate prize goes to “Tuvix” or “Drone” is a matter of personal opinion.
“Doctor’s Orders” (Season 3, Episode 16)
Recycled from: “One,” Season 4 Episode 25 of Voyager The premise for this one is simple: the entire crew have to go into stasis for a while, except for one or two members who are impervious to the biological threat. Originally, this was a way to explore Seven of Nine coming to terms with her life as an individual, by isolating her almost completely. Enterprise puts Phlox in that position – while he has never been a Borg drone, Phlox is a very sociable, chatty character with three wives and a huge, complicated family, so isolation is hard on him too. Both are pretty good episodes, with a “haunted spaceship” vibe and a sense that not everything is as it seems. Who did it better? This is a really hard one to call, because they’re both very similar and they’re both pretty good. One has Seven’s Borg background to add extra weight to the story, but on the other hand “Doctor’s Orders” has Porthos in the traditional “cute dog in a haunted house story” role. Give it to Enterprise if you like dogs, and to Voyager if you don’t.
E² (Season 3, Episode 21)
Recycled from: “Children Of Time,” Season 5 Episode 22 of Deep Space Nine Who did it better? Enterprise puts in a good effort, but the dark conclusion to “Children Of Time,” in which Old Odo willingly sacrifices his friends’ children and grandchildren just to save Kira, means we have to give it to Deep Space Nine.
“Daedalus” (Season 4, Episode 10)
Recycled from: “Jetrel,” Season 1, Episode 15 of Voyager These episodes have different themes, with Jetrel being inspired by the idea of a survivor from Hiroshima meeting Oppenheimer, while Daedalus, like the Greek myth, is about the relationship between a father and son. What both have in common is a guest character who wants to use the transporter system to rescue someone. The title character in “Jetrel” wants to bring back an entire planet’s worth of people – Emory Erikson in Daedalus just wants to rescue his son, and is marginally more successful, since although his son still ends up dead, he is at least rescued from a half-life in a transporter buffer. Who did it better? Jetrel is a good episode and an especially good hour for the usually comedic character of Neelix, but the titular scientist’s plan is so audacious, it seems a bit ridiculous that he thought it could work. Erikson’s desire to save just one person and the emotional pull of the father-son relationship slightly give Enterprise the edge here, in an episode that’s a bit obvious, but nonetheless emotionally affecting. It’s also, like much of Enterprise, rather under-rated. Enterprise was an old-fashioned sort of show, and it wasn’t always the most original of offerings, but it was good, classic Star Trek, and deserves to be recognised as such.
