Shameless Season 11 Episode 11
“We’re adults now. This is what adults do. They move on.” “The Fickle Lady Is Calling It Quits” pushes a narrative where characters need to either move forward or slow down, but a greater source of wisdom that influences the episode’s structure is the laundry list of life lessons that Frank has spewed out for eleven seasons. This direction turns Shameless’ penultimate episode into one of the most emotional and impressive entries of the season and provides the right direction for next week’s big finale. Frank is usually the one that drives the chaos forward in Shameless, right down to the previous episode, but “The Fickle Lady Is Calling It Quits” turns into a somber celebration of all things Frank Gallagher as Liam graciously tries to remind Frank of the indomitable fighting spirit that’s defined him for his entire life. Liam throws Frank’s own advice back at him when he tells him, “Either you run the day, or the day runs you.” It’s a lot of fun to return to this farcical side of Frank’s character, but the comedic sensibilities of Shameless continue to be all over the place this season. There are some legitimately funny and subtle jokes throughout this episode, but there are also ridiculous setpieces where good samaritans get steamrolled by a truck. Shameless has always had a dark sense of humor, but it needs to have a little more confidence in itself and not resort to such broad gags that come close to breaking the reality of the show’s universe. Mickey’s consternation over housing complex guidelines feels more natural, and is funnier, than fatality punchlines or extended TikTok dance routines. I don’t expect Mickey to completely regress and be unable to forge ahead with Ian in this marginally swankier life, but this feels like a reasonable temporary hurdle for him to clear before the series concludes. Despite how this West Side lifestyle is a productive change for Ian and Mickey, it’s still something that Ian made official while Mickey wasn’t completely on board. It’s an understandable schism between them and the episode is smart to tease them falling back onto old habits, only to do the opposite. Mickey and Ian display genuine maturity with their relationship issues and it’s a level of synergy and consistency that Debbie craves. Everyone is considerably worn down from the events of the season and is close to their breaking points, which in Debbie’s case finally causes her to take a long look at why her romantic endeavors have all been so toxic. This introspective attitude is good for Debbie, yet the victim mentality that she adopts and her anger that Frank has “ruined love for her” is a little too simplistic. Debbie has been in healthy relationships that failed because of preventable problems that she instigated. “The Fickle Lady Is Calling It Quits” parses out several scenes where an aggressive woman named Heidi causes a wave of mayhem promptly after she’s released from prison. Initially it looks like Heidi’s roaring rampage will intersect with Carl’s new police gig and provide him an opportunity to take down this menace and become a hero again on the force. That’s not at all what happens and it’s madness that Heidi is meant to instead provide closure for Debbie! Carl doesn’t get to take out an angst-ridden recidivist, but he does still find some peace and gain a better understanding of his calling after a season of being frustrated. Carl’s impassioned speech is long overdue, eloquent as hell, and completely right. It also would have been justified several episodes back, but at this point Carl’s pent up frustration over what he’s witnessed at the police department makes sense. Carl and many of the Gallaghers are caught in flux when it comes to their new lives, but Kevin and Vee already have Chicago in their rearview mirrors. Vee and Kevin represent a force of confidence and their resolve towards Louisville inadvertently helps many of the Gallaghers work through their own sources of stress. It even feels natural that the person that Kevin and Vee sell their house off to turns into a break for Lip to diminish the colony of ulcers that have been brewing in him all season. This blessed development also doesn’t feel contrived because it’s an opportunity that Lip ultimately botches. This sword is left to hang over Lip as the episode concludes and he almost seems to accept the cloud of hopelessness that’s formed over him. It’s a sad, hollow version of Lip that doesn’t feel dissimilar to Frank Gallagher and his decision to go out on his own terms. Frank’s concluding moments are devastating, but they’re also the only time in the episode where he feels empowered. It’s a turn that fundamentally changes the tone for Shameless’ series finale and has the potential to bring out the best in each character. There’s now a small sliver of hope that Fiona might show up, whereas I was previously convinced that this was impossible.
